Diverse Books Review Series- Wishes + Wherever I Go
A very special thanks to I’m Your Neighbor Books for making these texts available for review.
Looking for ways to incorporate diverse books into your library or classroom programming?
Visit https://imyourneighborbooks.org/ for valuable tools, resources, projects, and book searches.
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Title: Wishes
by Mu’o’n Thi Van & Victo Ngai
Empathy is a pillar of social-emotional learning. And it’s more important now than at any other time in our collective history. Wishes, by Mu’o’on Thi Van is an experience in empathy and human connectedness from its first page to its last.
This powerful early reader grabs you in its first moments. Victor Ngai’s beautifully rich illustrations wrap the text in a blanket of emotional imagery.
The night wished it was quieter. The bag wished it was deeper.
The story illuminates the realities of human migration as it takes readers along a path of goodbyes, uncertainties, and ultimately, hope. The writing takes on the lens of various elements along the journey- the path that wished it was shorter, the boat that wished it was bigger, the heart that wished it was stronger.
Incredibly, Mu’o’on Thi Van makes tough content digestible for young readers, but that also leaves space for open-ended questions, critical text connections, and constructive upper-grade conversations.
I can simultaneously imagine this book as a first-grade read-aloud, as part of a second-grade lesson on personification, as the bones for a fourth-grade art study, as a middle school drama reconstruction, and as the foundation for a high school essay. And I’m definitely purchasing a copy for our children’s bookshelf at home.
Through its meticulously detailed artwork and profoundly simple text, Wishes is a very natural practice in empathy. It unassumingly invites readers to exercise muscles of understanding, connection, and inclusivity. For many young folks, I expect that it will also light a fire of curiosity, if not deliberate activism.
If you’re searching for a text that dives into the refugee experience while maintaining a lens on the human story, Wishes should be a first pick.
Title: Wherever I Go
by Mary Wagley Copp & Munir D. Mohammed
Wherever I Go is the anthem of young Abia, a queen by all accounts. Abia’s entire youth has occurred within the Shimelba refugee camp. However, this fact has nothing on the girl’s spirit.
Wherever I Go shines a light on what life in a refugee camp can be like. But despite glimpses of daily hardships- pumping and carrying water, of waiting in long lines for rice and oil, of caring for younger siblings- this isn’t a story of defeat. Indeed, Copp and Mohammed offer up characters full of dignity, strength, bravery, and optimism.
Munir Mohammed is a perfect fit for this book. His vibrantly colored full-page illustrations make me feel like I’m sitting across the mat from Abia’s parents myself, like Abia’s father, in particular, is someone I’ve known already. Simply stunning.
Eventually, the family prepares for their turn to come up for resettlement. And when we go, we’ll leave our belongings here- for others. That’s what Papa says. “Everything,” he adds. Mama says we’ll have our stories, though, wherever we go.
The book closes with Abia settled into her new life, somewhere on the other side of the ocean. At this point, however, the reader knows that with a spirit as tenacious as Abia’s, this queen’s story is far from over.
Copp and Mohammed invite readers to consider the main character’s pre and post-resettlement identity and do so in a way that is culturally affirmative. This lens highlights those threads that link both worlds- family, hope, perseverance, and the idea of home.
If you’re considering having students consider their own stories and what they take with them wherever they go, I can’t imagine a better starting point.
The Power of Narrative Storytelling with Emergent Multilinguals
Personal narratives can be a valuable teaching and learning tool. For refugee and immigrant language learners, the process of narrative storytelling can be especially significant, as it fulfills multiple aims. Storytelling can motivate Emergent Multilinguals to engage in the new language, develop essential writing skills, process critical life events, and foster inter-peer relationships.
Narrative expression is an essential component of our humanness. We are drawn to share pieces of ourselves through storytelling, and we discover our interconnectedness in doing so. For many of our students, storytelling is also part of a rich cultural tradition- one that is intrinsically embedded in nearly every facet of social functioning.
In the classroom, setting, we can employ personal narratives as a means to draw students into language learning. Meanwhile, we can draw out details that allow us to know and understand our students better. The strategy is helpful in that it can be implemented across the language acquisition spectrum and can be scaffolded in a variety of ways.
“Storytelling can be a very valid means to experiment with the new language in a variety of contexts. It is an accessible option at various stages of the language acquisition process, and it is a skill that can develop in accordance with a learner’s expanding linguistic capabilities.” -The Newcomer Student
Additionally, storytelling is a powerful strategy for working through transition shock. Transition shock is a broad umbrella that encompasses transition, trauma, culture shock, and stress-related anxiety. From Elements of Behavioral Health, “Talking about [experiences] helps organize memories and feelings into a more manageable and understandable psychological ‘package’. Telling the story, or developing a trauma narrative, is a significant step in the trauma recovery process no matter what array of symptoms is present.”
“There is an additional dimension to storytelling that can be profoundly cathartic and healing. The particular exercise of capturing human feelings and experiences, through fictional characters or biographical ones, allows students opportunities to release, revisit, question, and make sense of poignant life events. The retelling of personal experiences creates a fertile ground for self-discovery and social understanding.” -The Newcomer Student
Where Do We Start?
Family trees are an excellent start point. In research and focusing on the aspect of lineage, students are invited to work within a safe space, sharing what they feel is comfortable and “right” to them (this may be particularly relevant for refugee students who transition with family members who are not necessarily birth parents). This activity may also draw from parents’ existing funds of knowledge and encourage caretaker participation in students’ academic pursuits.
Incorporating heritage language is one way to increase intrinsic motivation. Constructing a family tree can also generate vocabulary connections for English words like father, grandmother, or uncle. Sharing a family tree in s safe learning space can benefit a learning community and lead to increased student ownership and self-esteem. Constructing a family tree can also generate vocabulary connections for English words like father, grandmother, or uncle.
The included samples were created by third grade students.
Heritage Books
Heritage reports, or heritage books, expand on the process of sharing students’ original stories. These are multi-step projects that “are designed to guide students in expressing their personal stories with others via sheltered instruction” (The Newcomer Student). Heritage books also enhance meaningful vocabulary expansion and promote empathic, tolerant school-based relationships.
A detailed description of heritage book planning and building is available in The Newcomer Student: An Educator's Guide to Aid Transition, available HERE.
Areas that are worthwhile to explore include:
· About Me
· U.S. Flag/flag study
· Alternative country flag(s)
· Traditional dress
· Traditional food
· Traditional customs
· Traditional housing
· Celebrities and pop culture
· Alphabet/number systems
· Family tree
· Family photos
· Emigration story
· Future hopes and wishes
The following samples are from third grade students.
“Heritage book authors are usually very eager to document, show, and share their projects with an audience. Meanwhile, they are practicing cooperative language structures and cultural normative values (handshaking and simple greetings for each guest) throughout the sharing process!” (The Newcomer Student)
Personal narratives are certainly worth including as a viable part of classroom learning and relationship building. Share your own experience enacting personalized storytelling with students to @ELYaafouriCLDE, #ELstorytelling #heritagebook